better Underwater Photos From Your contract Digital Camera

Digital cameras are everywhere these days, especially those compact varieties that fit in your pocket or purse. You can take it everywhere - and with an underwater housing, now you can take it underwater too! However, you may have come home from a up-to-date dive trip disappointed in the marvelous blue hue saturating your photos. The goal here is to provide a few tips and techniques - in plain English - to help you get some satisfying shots.

1. You've got to use the right tool for the job. That compact digital might take awesome high-resolution photos on land, but the underwater environment throws in a few supplementary challenges that we need to deal with in order to get a good shot. compact cameras are ordinarily more considerable to macro shots and fish close-ups. To capture that wide-angle reef scene in any color other than blue, you need a wide angle lens and probably an external strobe. Going after shots considerable to the tool you are using will yield more victorious results manufacture you a happier diver.

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2. Slow down. It is highly difficult to find a subject, avoid scaring it away, originate your shot, and take the picture when you are swimming a million miles an hour nearby the reef. Especially when shooting macro, focus on one or two coral heads and find those cleaner shrimp, arrow crabs, and nudibranchs. Close-ups of fish eyes or faces make for inviting abstract shots too. Take some pictures of the same branch and pay attentiveness to composition.

better Underwater Photos From Your contract Digital Camera

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3. Built-in flashes are evil. Do you have a bunch of backscatter in your shots ruining that otherwise exquisite picture? The culprit is that built-in flash. On compact digital cameras the flash is located so close to the lens that it illuminates any particles that are in the water, and then your camera records all that backscatter at 10+ megapixels! How do you avoid this? There are a combine of options. You can whether stay shallow and shoot with ambient light (no flash) and a color correcting filter, or you can get an external strobe and angle it at about 45 degrees above and to the side of your branch so those particles in the water are illuminated from the side, not the front. You may need to do a dinky creative engineering to sync your strobe to your camera. You will also need to cover or deflect the built-in flash so it does not work on your shot. If your housing does not come with an attachment to cover or deflect the built-in flash, duct tape also works great for this purpose.

4. Get close. You think you're close to your subject? You probably need to be closer. Three feet or less is ideal. Why? You need to be close because water absorbs light. You already know this from your quarterly diving - as you descend through the water column, the water absorbs the reds and oranges from the ambient light, and you are left with cooler colors, such as blue. Well, the same principle applies horizontally through the water. The light from your strobe has to trip to the subject, illuminate it, and then trip back to your camera lens. If you are more than a few feet away from your subject, the light is plainly absorbed, and that strobe is just as good as dragging dead weight around. Also keep in mind the result of refraction. Water makes an object appear 33% larger and 25% closer (4:3 ratio), so what appears to be three feet away is admittedly four feet away. Unfortunately strobes don't care about refraction, so you have to get a dinky closer than you think in order to properly illuminate your subject.

5. Think about composition. Fish tails do not make for inviting photos, even if it is the tail of the rarest fish on Earth. Shoot at upward angles, rather than finding down on your subject...and stop chasing those fish! result the Rule of Thirds for visually pleasing photographs.

6. Stay off the bottom! Buoyancy is key in diving, especially when taking underwater photos. By maintaining neutral buoyancy, you will avoid stirring up sand or silt in the water column, thereby keeping the water as clear as potential and helping to minimize backscatter issues. You also won't be labeled as "one of those" photographers who plants themselves on the reef, damaging coral and disturbing reef creatures, while trying to get the exquisite shot. No picture is worth damaging our beautiful and fragile reefs and wrecks.

I hope these tips help. These are just some of the practices I have followed over ten years of underwater photography. I've used both compact digital cameras and digital Slrs, and have gotten very nice results with both. Remember, the only way to get good at underwater photography is to take underwater photographs. And take lots of them! custom taking photos on land. Get to know the features, functions, (and limitations) of your camera, and you will find that underwater photography can be highly rewarding!

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Clip from the documentary film. Dr. NakaMats is very well known in Japan. With more than 3300 patents he is the world record holder of patents. He is about to celebrate his 80 year birthday, but feels younger than ever with an enormous energy. In fact he is certain that he will become 144 years old. But how will Dr. NakaMats accomplish this? The film follows this extraordinary japanese celebrity on his mission to elongate life. All the while he is creating new inventions. A documentary film about an extraordinary man. Shot and directed by Kaspar Astrup Schröder Edited by Adam Nielsen Sound by Rasmus Winther Music by Mark Mothersbaugh and Silas Hite Produced by Mette Heide Production by +plus pictures Lenght: 57 minutes All rights reserved © +plus pictures - "Nominated for the Official Main Competition - CPH:DOX AWARD" at CPH:DOX Film Festival in november 2009, www.cphdox.dk - - "Nominated for the IDFA Competition for Mid-Length Documentary", IDFA International Documentary Film Festival in november Amsterdam 2009, www.idfa.nl -

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